How and Why to Write Your Back-Cover Synopsis Early
The Pattern
I first want to clarify that this back-cover synopsis is not the story synopsis you might send to an agent (again, it's more like the hook in your query letter). The long synopsis is usually somewhere between 500 words and 1000 words (but look at submission guidelines!), and they spoil the entire story. They summarize it all and say what happens in the end. This back-cover synopsis does not give away the whole story. Here’s what you should do in the back-cover synopsis:- Introduce the main character(s)
- Inform us of the inciting incident
- Give a sense of the character’s goal/desire
- Give an overview of the major conflicts
- Hint at how the character will be pushed to transform
Examples and Tips
#1: I Like You Just Fine When You're Not Around
Take a look at this back-cover synopsis from Ann Garvin’s I Like You Just Fine When You’re Not Around:Everything is falling apart in psychologist Tig Monahan's life. Her mother's dementia is wearing her out; her boyfriend takes off for Hawaii without her; and her sister inexplicably disappears, leaving her newborn behind. When a therapy session goes horribly wrong, Tig finds herself unemployed and part of the sandwich generation trying to take care of everyone and failing miserably. Just when she thinks she can redefine herself on the radio as an arbiter of fairness, she discovers a family secret that nobody saw coming. It will take everything plus a sense of humor to see her way clear to a better life, but none of that will happen if she can't let go of her past.
- Main character: Tig Monahan
- Inciting incident: therapy session goes horribly wrong
- Goal: a better life
- Conflicts: sandwiched, failing, family secret, her past
- Push toward transformation: let go of her past
#2: The House in the Cerulean Sea
Here’s one from The House in the Cerulean Sea by TJ Klune:Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages. When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not they’re likely to bring about the end of days. But the children aren’t the only secret the island keeps. Their caretaker is the charming and enigmatic Arthur Parnassus, who will do anything to keep his wards safe. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
- Main character: Linus Baker
- Inciting incident: unexpectedly summoned by Extremely Upper Management
- Goal: determine the threat of the dangerous children
- Conflicts: the kids, secrets, Arthur
- Push toward transformation: the crucial choice
#3: The Rosie Project
Graeme Simsion’s The Rosie Project gives us a back-cover synopsis in two paragraphs:Don Tillman, professor of genetics, has never been on a second date. He is a man who can count all his friends on the fingers of one hand, whose lifelong difficulty with social rituals has convinced him that he is simply not wired for romance. So when an acquaintance informs him that he would make a “wonderful” husband, his first reaction is shock. Yet he must concede to the statistical probability that there is someone for everyone, and he embarks upon The Wife Project. In the orderly, evidence-based manner with which he approaches all things, Don sets out to find the perfect partner. She will be punctual and logical—most definitely not a barmaid, a smoker, a drinker, or a late-arriver. Yet Rosie Jarman is all these things. She is also beguiling, fiery, intelligent—and on a quest of her own. She is looking for her biological father, a search that a certain DNA expert might be able to help her with. Don's Wife Project takes a back burner to the Father Project and an unlikely relationship blooms, forcing the scientifically minded geneticist to confront the spontaneous whirlwind that is Rosie—and the realization that love is not always what looks good on paper.
- Main character: Don Tillman
- Inciting incident: acquaintance informs him he would make a wonderful husband
- Goal: the Wife Project
- Conflicts: Rosie, the Father Project
- Push toward transformation: realization that love is not always what looks good on paper
Why write this thing?
To Avoid Compartmentalization
The typical trajectory for a fiction writer is 1) spend a long time writing the book, 2) switch gears entirely and do all the requisite jumping through the hoops to get an agent or pitch to one (query letter, synopsis, logline, pitch, etc.), 3) and then switch gears again to do marketing stuff. If you write the back-cover synopsis early on in your story creation—and keep revisiting it—the changing of gears will be less shocking and abrupt. You’ll have already thought about how your book will pique reader’s interest, and you'll have thought about how the push to transformation will appeal to people. So when it comes time to talk about why your book is one that people should read, it won’t feel so strange. There’s a compelling case to be made that writing a book and selling it should not be so separated and compartmentalized. It’s easy and very tempting to brush this exercise off as marketing and to look down your artist’s nose at it. But this 150-word piece of writing will help readers who would love your book find it—whether that reader is an agent, or a someone shopping for a new book to read.To Focus and Inspire Yourself
But what’s more, when you write this back-cover synopsis early on in your writing process, it can help pique your own interest. In fact, think about writing these back cover synopses for every good idea you get. Collect them. And then get them out later and look at them and see which ones seem like books you’d love to read. Once you start writing your story in earnest, this brief synopsis can serve as a touchstone for you; check in with it and see how your story is adhering to or drifting from your original vision. It’s okay to allow the synopsis to change and evolve. It’s a living document.To Test Out Ideas
You can even test out a batch of four or five synopses on friends or a writing group and get their opinions on which one they’d be most excited to read. This is essentially what writer Ann Garvin did with her most recent novel (forthcoming in 2021). She wrote five short synopses and asked her agent to rank them. Then she went with the one her agent said was most promising. The book sold on a pre-empt. Last week, I spoke with Ann Garvin in a livestream conversation about this approach. We recorded the conversation. Take a look at the free session here: From Pitch to Manuscript. As we mention in the video, Ann and will followed up that session with a series of other videos to delve into the steps you can take to build out your premise into a successful story. Those course are free. To see the full list, check out this page: The From Pitch to Manuscript Sessions.
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