Sometimes, the main source of tension in a story comes from a lingereing “urgent story question” that nags at the reader. You should be conscious of your story’s USQs so that you can make the most of them and create a more gripping story.
The Problem with “Show, Don’t Tell”
The old writing adage of “show, don’t tell” is good advice, but it can occasionally get writers in trouble. Good writers sometimes fall prey to hyperdetailing–giving excessive description without serving the story.
Use Beats to Move Characters within Scenes
How do you create a dynamic, consequential scene–one that actually moves the character? You use beats within the scene to create disturbances and shifts. This analysis can help your revision; it’s all about bringing character arc to the scene level.
Create a Moving Character Arc
Character arc (aka the internal plot) is essential for a satisfying story structure. You might have tension on every page and you might follow what you think is a winning structure, but if you don’t have a character arc, your story will fail to resonate with readers. Learn the key concepts for character arcs here.
The Two Roles of the Beginning
The beginning has two roles: a structural one and a functional one. Here, I present a way of thinking about the first act’s plot points that may help you reconcile the need to hook the reader with the need to portray the so-called “normal world” of the story.
How to Make a DIY Writing Retreat
Can’t make it to any writing retreats, conferences, or residencies? Then make your own. Here are the four steps for making a DIY writing retreat.
100 Books Published in 2023 for Your TBR Pile
A mega list of books published in 2023, compiled in a table with info about genre, book description, and the person and tense of the narration.
Verisimilitude: What it is and how it works
Verisimilitude all about getting the reader to suspend disbelief and see realistic depictions of character, setting, and events. But what does it mean for such story elements to be realistic?
Prepping for Beta Reading
Once you’ve found a beta reader for your work, how should you proceed? Some tips here on how to prepare your expectations, your manuscript, and your reader.
Show, Don’t Tell Disambiguation
What’s at the root of the “Show, Don’t Tell” concept, what does showing look like, and how might people abuse showing? An exploration of this oft-cited piece of writing advice.
Delight: The Secondary Source of Reader Engagement
Though tension is maybe the main source or reader engagement, there are several sources of “delight” that help charm the reader and make books memorable.
Varieties of Omniscience
Using an omniscient narrator? It may help to be aware of these two dimensions, which account for the varieties of omniscient approaches.