Robert Olen Butler describes 5 ways the people express emotions. Writers can use these expressions to help build better character interiority. Here, his 5 expressions and an accompanying journal exercise.
Subjective Conflict
The idea behind subjective conflict is this: the reader can sometimes experience conflict even when the characters in the story don’t. This week’s article appears at DIYMFA.
How to Maintain Perspective When Encountering Writing Advice
There’s a lot of writing advice out there. It is not difficult to find. It is also not difficult to feel overwhelmed by it all and, consequently, a bit inadequate as a writer. You do not need to follow all of it. In fact, if you can differentiate between descriptive and prescriptive advice, you’ll be on your way to cutting through the glut.
The Pitfalls of Emotional Body Language in Your Writing
Physical expressions of emotion can be problematic, even though they’re justified by the “Show, don’t tell” mandate. But there are often better, more artful ways to give us insights into the interiority of your POV characters.
Narrating Deep or Shallow: The Spectrum of Psychic Distance
An expert writer of stories needs to have some mastery of psychic distance—the distance the narrator stands from a character’s emotions, thoughts, and perceptions. No matter what viewpoint or person or verb tense you’re using for your story, your narration will sometimes go very close to character perception and sometimes stay quite distant.Â
Why Your Story’s Conflict May Fail to Grip Readers
Is your story’s conflict gripping readers? Not all conflict is created equal. Some creates tension; some doesn’t. And in fact, conflict isn’t the only way to create tension.
100 Books Published in 2023 for Your TBR Pile
A mega list of books published in 2023, compiled in a table with info about genre, book description, and the person and tense of the narration.
Verisimilitude: What it is and how it works
Verisimilitude all about getting the reader to suspend disbelief and see realistic depictions of character, setting, and events. But what does it mean for such story elements to be realistic?
Prepping for Beta Reading
Once you’ve found a beta reader for your work, how should you proceed? Some tips here on how to prepare your expectations, your manuscript, and your reader.
Show, Don’t Tell Disambiguation
What’s at the root of the “Show, Don’t Tell” concept, what does showing look like, and how might people abuse showing? An exploration of this oft-cited piece of writing advice.
Delight: The Secondary Source of Reader Engagement
Though tension is maybe the main source or reader engagement, there are several sources of “delight” that help charm the reader and make books memorable.
Varieties of Omniscience
Using an omniscient narrator? It may help to be aware of these two dimensions, which account for the varieties of omniscient approaches.